Rooms NYC Reviews and Tickets

71%
(12 Reviews)
Positive
66%
Mixed
17%
Negative
17%
Members say
Thought-provoking, Intense, Great writing, Ambitious, Absorbing

About the Show

Irish Arts Center presents Galway International Arts Festival’s trio of installations exploring solitude, where each room frames a new voice from Tony winner Enda Walsh ('Once').

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Member Reviews (12)

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84
Ambitious, Edgy, Great writing, Intense, Thought-provoking

See it if Immersive theatrical experience of travelling to 3 different installations (rooms) Each metriculously designed & enhanced by Walsh's prose

Don't see it if Could get claustrophobic w/maximum number of people viewing Monologues are a bit dense & fused w/Irish morbidity; very powerful nonetheless

75
Ambitious, Resonant, More of an art installation than theater piece

See it if you saw and enjoyed "Arlington" and want to see more by Enda Walsh.

Don't see it if you expect traditional theater with actors, or if you can't climb the stairs to the installation.

Critic Reviews (5)

The New York Times
May 10th, 2017

“A haunting installation…A distinct, self-hypnotized voice fills each room, describing its environment as a limbo where life is frozen, even as it drifts into nothingness. The voices belong to Charlie Murphy, Eileen Walsh and Niall Buggy, and they are guaranteed to take up residence in your head, too. The contemplative ‘Rooms’ might be called disturbingly relaxing.”
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Lighting & Sound America
May 12th, 2017

"The effect is weirdly intimate, creepily insinuating, and oddly seductive—in short, a haunting...Murphy, like her costars, delivers the text as if her life depended on it...Walsh, who also directed, has created an experience that inexorably draws you in and shakes you to the core. The people who once inhabited these rooms may have vanished, but their souls have stayed behind, and are raging far into the night."
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Stage Buddy
May 16th, 2017

“Each of IAC’s 'Rooms' allows immersive rifling and snooping before and during the audio...It is Room 303 that is the standout piece. A dying man in a poky hotel room focuses on the futility of his lot, personified by an annoying fly. Buggy’s delivery of Walsh’s words is beautifully poignant and droll, a playwright’s dream.”
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The Huffington Post
May 11th, 2017

"More of an installation than a show...While the sets were perfectly fine in capturing the shabby anonymity of a hotel room from afar, for example, there was literally nothing of note in any drawers or anywhere else. Why encourage people to explore a kitchen when most cabinet doors were glued shut?...Each monologue charted a drab life with a modest twist towards the end that I won’t spoil. They were ably performed but the overall effect was a lot of bother for very little effect."
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New York Irish Arts
May 16th, 2017

"The attention to detail in the creation of the rooms is marvelous, with many items that have obviously been brought over from Ireland to give authenticity to the place, especially in the kitchen room. Lighting and sound are used to great effect to punctuate the pieces. The recorded vocal performances are haunting and, with the poetry of Enda Walsh’s script, paint vivid pictures of these three individuals."
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