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Arlington

Members say: Confusing, Thought-provoking, Ambitious, Absorbing, Intense
67
Critics
68
15 reviews
Members
67
60 reviews
 

St. Ann’s Warehouse presents an avant-garde, multi-media work by Tony winner Enda Walsh that conjures a strange and tender love story set in a terrifying world.

... Read more

Isla sits in a waiting room in a tower as a man watches her, documenting her every move and pulling her dreams from her. In this brave new world, Walsh dares to imagine that the individual might somehow survive and that there’s still a place for love. A companion piece to 'Rooms' at the Irish Arts Center.

 

Cast & Creatives (13)



Reviews (75)

See: Critics' Reviews | Members' Reviews
68
Avg Score

85
The New York Times

"A riveting fever dream of a play...Jolts the system through some of the most sophisticated visual and sound effects on display in New York...The subjects of these experiments are portrayed by Murphy, Doherty and O’Conor, in bravura performances...In the play’s final sequence, Walsh lets this entity explain itself...and I wish he hadn’t...As a whole, though, 'Arlington' is as creepy and compelling a vision of a blasted tomorrow as you’re going to find these days." Full Review

85
Theatermania

“A dystopian cocktail of theater, dance, and performance art that somehow still leaves you with the sweet taste of a love story…It's a testament to Walsh's talent for dialogue that we care so deeply about the connection between two strangers who have never met face-to-face...It's also a testament to Murphy and O'Conor's performances that they're able to nourish this subtle chemistry, as well as the charm and humor that Walsh embeds within such depraved circumstances." Full Review

55
Time Out New York

"While there is frequently beauty in Walsh's works, there's also self-indulgence...Walsh is looking in the mirror, and he can't tear himself away. And when he directs, as he does here, we're fully in an environment of his devising, which only has one criterion: what's coolest...Taken in images, 'Arlington' is quite beautiful...Beckett and Sartre are clearly influences here, but Walsh hasn't got their bite. He's a sentimentalist, and a cheeseball one." Full Review

75
New York Theater

“‘Arlington’ invests more attention on sensory stimulation than clarity or coherence…Walsh’s gift for dialogue shines through…For those theatergoers with a taste for avant-garde, multimedia performance art, ‘Arlington’ is well done. The two actors and the dancer are appealing and credible. The rock score is fast and furious. The design offers a near-constant barrage of in-your-face lighting changes, sound effects and projections.” Full Review

55
Lighting & Sound America

"A fairly straightforward drama, if an enigmatic one...I fear that such vaguely conceived dystopias tend to be surprisingly uninteresting...'Arlington' is never boring, however, largely because of the extraordinarily committed performances by its three-person cast...A lot happens but what it all means is never very clear. Walsh asks the audience to infer too much, and his intentions remain thoroughly cloudy." Full Review

75
The Huffington Post

"So well acted and presented that it engages you emotionally almost against its better judgement...It’s an enigmatic, dystopian tale delivered with visual panache, an excellent sound design and three performances that breathe life into its mysterious story. If Walsh hadn’t shied away from the compelling plot he put into motion, it might have achieved greatness...Walsh sets up a marvelous dynamic. But the story we want mostly takes place in between the scenes we see." Full Review

60
The Wrap

“Walsh withholds so much information – the time, the place, the relationship of the imprisoned Isla and her interrogator — that chronic disorientation is the immediate and arguably appropriate response to ‘Arlington’…The story of ‘Arlington’ becomes clear, not because of Walsh’s powers as a storyteller. It’s that he borrows so much from other sources.” Full Review

35
Financial Times (UK)

“With the frantic yet ponderous ‘Arlington,’ Walsh’s confinement obsession has entirely run out of theatrical fuel. That dearth of new ideas is apparent from the director-playwright’s reliance on gimmicks…The only novelty is that Walsh attempts to blend his usual relentless comic style with a portentous dose of dystopian seriousness...The performers do their best to keep up with Walsh’s whimsy…But the material is so repetitive and so half-formed that their efforts are wasted here." Full Review

75
Exeunt Magazine

"It’s hard to describe without trying to impose an interpretation, or see hints of '1984,' but we do so at the risk of reductivism. Walsh provides scant narrative from which to draw concepts like character, plot, theme, setting or meaning...Walsh manages to tap into both our nagging daily anxieties and our most conspiratorial fears. 'Arlington' looks and feels like that dream where familiar settings suddenly become menacing, for no identifiable reason, and we start running like hell." Full Review

70
Stage Buddy

“Walsh binges himself on multiple loose theatrical forms and multi-media formats, all expertly done, but the clang made when they all come together can make more noise than sense. At times. At other times, the raw emotion is astonishing...Amidst hard times, the done thing in creativity is to visit dystopian isolation. There’s a sense that whatever Walsh is doing here is far less political than it is personal, giving him free rein." Full Review

75
Off Off Online

"The play is no less defeatist than Walsh’s previous works, but for the first time there is a glimmer of resistance...'Arlington' is the type of play that invites a number of interpretations, all of which are right, and few of which can be supported with evidence from the stage...There’s no denying the play’s morbid charm. Charlie Murphy’s Isla is instantly endearing...O’Conor is a heartbreaking deer in the headlights, doing his best to remain human in a dehumanized wasteland." Full Review

55
New York Irish Arts

“I didn’t enjoy ‘Arlington.’ I don’t think you’re supposed to…I was ready to write it off. But the play keeps coming back to me…Walsh’s dystopian fantasy feels like a waking nightmare. It’s not plausible, but it’s not ridiculous, either...It gives me the shivers…Charlie Murphy’s Isla is funny, practical and engaging…We’re left wondering what the Hell is going on for far too long...Weird isn’t always poetic...Plot matters...'Arlington' is 80 minutes of situation." Full Review

80
The Guardian (UK)

for a previous production "A new form of theatre that includes drama, dance, music and visual art...I found 'Arlington' less fascinating for what it says than for the way it says it. Walsh is clearly out to demolish the distinction between drama and visual art...Walsh is also creating a theatre in which movement exists on an equal footing with text...When I’ve forgotten the ideas, I shall still recall Walsh’s boldness in weaving his closely textured poetic prose into a new form of category-defying theatre." Full Review

90
The Stage (UK)

for a previous production "A tremendous exploration of the transcending of circumstance...Walsh – he also directs – and the creative team combine stunning effects with playful physicality: think Christopher Nolan meets Charlie Chaplin. There are neat tricks in Jamie Vartan’s set, with the design team making Isla’s room come alive. Jack Phelan provides some of the most stirring video work that’s been seen on an Irish stage and Emma Martin’s choreography is visceral." Full Review

80
The Arts Review

for a previous production "A brave and thought-provoking production...The end result is a technical masterclass, with 'Arlington' delivering a technically tight and complex show, beautifully and brilliantly executed. Yet despite its embarrassment of riches, 'Arlington' isn't always as strong as its individual components...'Arlington' brings disparate elements together to riff and improvise around a structure, and more often than not they hit the mark...An utterly unforgettable experience." Full Review

See: Critics' Reviews | Members' Reviews
67
Avg Score

89
Absorbing, Great acting, Profound

See it if you enjoy a unique theatre experience. I found this to be so absorbing with many interesting and creative ideas. used dance brilliantly.

Don't see it if you like to have everything explained and do not like ambiguity.

65
Dizzying, Confusing, Disappointing, Overrated

See it if nice sets, nice dancing but...

Don't see it if not to my taste as quite confusing

66
Ambitious, Quirky, Indulgent, Excruciating, Slow

See it if you are comfy with minimal dialogue or cues as to plot, time, place, or purpose; curious about the Warehouse venue (I was and liked it).

Don't see it if you need firm traditional structures, you don't want movement to have to convey content; you want resolution & clear meaning. Impenetrable.

10
Boring, Indulgent, Confusing, Disappointing, Overrated

See it if you enjoy plays where a lot of information is held back by the playwright. It will not be easy for the viewer to come to any conclusions.

Don't see it if you like everything spelled out for you.

Also This is a rather disappointing ending to St. Ann's Warehouse otherwise... Read more Read less

90
Edgy, Great acting, Profound, Surreal, Great staging

See it if Whooo this intense theatre work is as surreal as it gets. Part bag dream meets installation art you might find at the Whitney .

Don't see it if It you don't like avant guard Surreal theatre

Also The physical Body work is amazing

70
Cerebral, Great acting, Thought-provoking, Confusing, Emotional

See it if you enjoy avant guard theater with enigmatic meaning; extraordinary acting and dancing; tugs on your heartstrings.

Don't see it if you need to read the reviews to almost understand the story; get bored when meaning is just beyond your reach.

81
Edgy, Great acting, Thought-provoking, Powerful, Dystopian

See it if you can be patient, letting the understanding build piece by piece. Walsh creates a stark image of the future; not a tale for the faint

Don't see it if you don't want to be disturbed. Themes include suicide, classism, torture, the reaction of humans to isolation, the failure of humanity

75
Ambitious, Thought-provoking

See it if You have an open mind and can enjoy an "outside the box" experience

Don't see it if You want an easy to follow narrative and tidy ending

70
Absorbing, Thought-provoking, Quirky, Confusing

See it if you're intersted in an avant-garde, multi-media, take on isolation and imprisonment. Echoes of 1984. Stunning choreography and projections.

Don't see it if you don't like works that mix mediums. The piece is theatre, visual art, and dance. It certainly isn't for anyone, but a breath of fresh air

45
Indulgent, Banal, Confusing, Disappointing, Excruciating

See it if you want to be bewildered for 85 minutes and wonder what this is all about.

Don't see it if if you are looking for theater that has something to say.

74
Absorbing, Delightful, Dizzying

See it if You're into slick multi-medium mash-ups.

Don't see it if You're looking for a straightforward, easy to follow, night of theatre.

71
Epic, Confusing, Slow

See it if You enjoy dystopian pieces, heavy in monologue, where little is revealed.

Don't see it if You dislike a lack of clarity or a seemingly random dance section.

62
Indulgent, Confusing, Disappointing, Overrated, Slow

See it if For Walsh fans who want to see what he's up to. Avant guard, theatrical, multi-media assault

Don't see it if Big themes but not an engaging plot. Confounding, makes little sense, tedious

81
Absorbing, Ambitious, Edgy, Intense, Great staging

See it if you can let yourself go and appreciate how the staging and dialogue and acting come together to form something new and meaningful.

Don't see it if you prefer straight forward plots and don't like sci fi, particularly when it is about a dystopian future.

68
Ambitious, Great writing, Confusing

See it if The writing is complex, beautiful and thought provoking.

Don't see it if it has several staging ideas that seemed pretentious and really threw me off.

70
Ambitious, Slow, Great staging

See it if you're open-minded and want to see a well-staged show about isolation and love with a lot of movement and dance

Don't see it if sitting through some long dance scenes in between the dialogue-driven scenes sounds torturous to you

75
Ambitious, Dizzying, Intense, Thought-provoking, Resonant

See it if You're really into experimental theatre, absurdist work (Beckett et. al.), are interested in the how of a story's construction.

Don't see it if You are looking for plot, clear explanations, or a happy ending.

90
Haunting, must see, beautiful integration of sound, words, and movement

See it if you want to think. want to feel. want to see redemption and hope. To call it dystopian is accurate but ultimately untrue.

Don't see it if You want a straight narrative which requires no interpretation, you want a light comedy.

Also I think this play is best served by letting the emotions flow over you... Read more Read less

73
Absorbing, Great acting, Relevant, Confusing, Disturbing

See it if You like dystopian ambiguous drama. It's certainly good for conversations about what it was you just saw!

Don't see it if You want a clear story line or any sort of resolution.

70
Thought-provoking, Confusing

See it if you enjoy post apocalyptic stories and are ready to think. The acting is also quite good.

Don't see it if you want a straight forward story.

60
Ambitious, Intense, Thought-provoking, Quirky, Great staging

See it if you are interested in different forms of theater. Dance and other non-verbal actions are a big part of the piece.

Don't see it if you are easily confused. The "plot" can be hard to follow with all the additional elements.

88
Absorbing, Edgy, Intense, Thought-provoking, Great staging

See it if you enjoy dystopian, thought-provoking theater that isn't afraid to confuse you a bit. The music and choreography is particarly fantastic.

Don't see it if you don't like theater that isn't sunshine and rainbows. This play takes a good hard look at society and depression, so take it in and think

94
Absorbing, Profound, Riveting, Great staging

See it if you're comfortable with the necessary quietness of a play that never pushes its point and can accept the magnitude of unknowns this play has

Don't see it if You're expecting a deeply political Orwellian dystopian play.

79
Absorbing, Edgy, Thought-provoking, Confusing, Great acting & dancing

See it if you want to see something totally different and very emotionally tugging despite being a bit confusing, with unique blend of acting/dancing.

Don't see it if if you don’t like seeing something without a straight story line; dislike silent or dark moments, or loud noises with the lights out.

Also The three performers were great. They set the mood from the beginning ... Read more Read less

79
Edgy, Thought-provoking, Disturbing, Haunting, Intelligent/absorbing

See it if want theater to keep you guessing, are ok w little plot/unexplained worlds. This is a character study in a dystopian future. Not easy.

Don't see it if Don't like dark, experimental/edgy stuff. It's confounding, intense, melancholy both in script & production. Read the Brit reviews before.

Also I liked this play and was focused throughout. However,I'm pretty sure ... Read more Read less