The 47th (London)
Closed 2h 20m
The 47th (London)

The 47th (London) London Reviews and Tickets

(15 Reviews)
Members say
Funny, Great acting, Clever, Entertaining, Great writing

About the Show

Bertie Carvel leads in Mike Bartlett's new play about the race to the White House.

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Member Reviews (15)

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337 Reviews | 70 Followers
Middling, Great acting

See it if you’re peripherally aware of the politics at play.

Don't see it if you are a politically and socially conscious American who struggles with what should or should not be satirized. Read more

36 Reviews | 12 Followers
Intelligent, Ambitious, Great acting, Funny, Clever

See it if you like inventive thought provoking plays; want to be scared out of your mind

Don't see it if you have shakespear; clever plays

34 Reviews | 2 Followers
Great writing, Great acting, Funny

See it if You want to see Bertie Carvel’s Trump impression

Don't see it if You feel you’ve had enough of American politics for now.

21 Reviews | 0 Followers
Funny, Must see, Great writing, Great acting, Clever

See it if You want to see some great acting (and have a laugh at Trump)

Don't see it if You're not interested in American politics

16 Reviews | 0 Followers
Entertaining, Funny, Edgy

See it if You don't like Donald Trump and will enjoy a purge infused American Election.

Don't see it if You don't care for politics.

8 Reviews | 1 Follower
Thought-provoking, Relevant, Intense, Great acting, Funny

See it if The show is perfectly pitched so that all can access the humour and content whether you’re typically interested in politics or not.

Don't see it if If you’re sensitive to smoke or loud noises (gunfire) then this might not be a good one to see.

1 Review | 0 Followers
Insensitive, Woke, Banal, Disappointing, Cliched

See it if If you are anti Trump and all you care about is prescribed anti Trump rhetoric

Don't see it if You’re bored with left wing propaganda or if like me you’ve just lost a dear one.

1 Review | 0 Followers
Entertaining, Clever, Great acting

See it if Very interesting show but not compelling enough, funny but a bit dead at times

Don't see it if You look for a great laugh and very sharp political satire

Critic Reviews (8)

The Telegraph (UK)
April 9th, 2022

Goold brings his usual sheen to proceedings, played out under an oval-ish strip of light, yet can’t hide the lack of meaningful substance beneath the theatrical polish. See it for Carvel’s tour de force, perhaps, but as Trump would attest, you can’t win ’em all.
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The London Evening Standard
April 11th, 2022

You can’t fault the ambition or the sheer craft of Mike Bartlett’s blank-verse drama about a Trump rerun against Kamala Harris in 2024. But despite an astonishing, hideously transformative central performance from Bertie Carvel as the tangerine narcissist, the show lands disappointingly.
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What's On Stage (UK)
April 9th, 2022

The writing shimmers with power: it's an analysis of Putin and every autocratic ruler, as much as the present dangers in the United States...It's this central argument, presented with forensic care that makes The 47th pack such a knockout punch. And Carvel's Trump, darkly ferocious, gives it its villainous heart.
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The Guardian (UK)
April 10th, 2022

The script, best in its granular moments of comedy, blends billionaire pomp with political chicanery, dynastic family drama and blank verse...In its drama it lacks atmosphere and jeopardy, its pace slow in the second half and its ending flat.
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The Times (UK)
April 9th, 2022

It’s an entertaining but uneven pageant held together by a barnstorming performance by Bertie Carvel, who as well as sporting a gravity-defying Trumpian hairstyle has captured all his mannerisms and tics.
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The Stage (UK)
April 9th, 2022

The play is not an exercise in crystal ball-gazing, rather a reflection on the ripples caused by the Capitol attacks and the repercussions for American democracy...It’s Carvel who leaves the biggest impression, bestriding the production in a magnificent and grimly apposite fashion.
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London Theatre
April 11th, 2022

Carvel is the big draw here with another astonishing transformation...But as funny and compelling as the portrait is, it doesn’t tell us anything new.
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The Independent (UK)
April 10th, 2022

Writer Mike Bartlett has crafted an epic. Like his 2014 play King Charles III, The 47th is an imagination of a future world. The year is 2024, and Trump is having another bash at the presidency. But, while the play’s events feel eerie in their potential realism, Bartlett’s form is, crucially, theatrical.
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