Joseph and the Amazing Technicolor Dreamcoat London Reviews and Tickets
Member Reviews (8)
See it if !
Don't see it if !
See it if You love an old classic religious tale that is as weird as entertaining.
Don't see it if You can’t stand a rainbow coat that doesn’t make any sense !
See it if You love the musical or family feel good musicals. Popular with all ages. Great cast all showing their talents.
Don't see it if You don't enjoy full on Lloyd -Webber musicals. But why not try it, you might find Thatcher really do love it!
See it if You like fun, entertaining and original shows.
Don't see it if Don’t like biblical stories. But see it anyway, the audience is dancing with performers at the end.
See it if you like Alexandra Burke
Don't see it if you like good theatre Read more
See it if You want to see a fun and not totally true to original story musical. Great for kids with some underlying more adult themes.
Don't see it if You want a meaningful storyline without random rock and children singing
See it if You want a family friendly show.
Don't see it if Want something serious.
See it if Andrew Llyod Webber at its finest. This spectacular is gripping, jaw dropping and funny. Jac Yarrow and Alexandra Burke are brilliant.
Don't see it if I have no reason to see why no one would enjoy the show. It caters for all ages and all kinds of people. Read more
Critic Reviews (9)
Look, it’s a kids’ show with some winning songs and the budget of a small nation state. Of course it’s fun. But there’s no great revelation in this revival – it’s just a 50-year-old musical coasting on bright tunes and arched eyebrows.
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Those tourists wishing to make sense of bonkers Britain – and anyone simply requiring head-emptying release from the Brexit madness – should give this not-so-ordinary Jo a go.
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That jaunty sense of fun permeates director Laurence Connor's constantly inventive new vision for the show, which is mostly a steamroller of pure joy and comic delights.
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Director Laurence Connor breathes zesty new life into those potent, familiar songs, and in newcomer Jac Yarrow has found a man with formidable pipes and enough charm to imbue the blank lead character with some personality.
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Occasionally John Cameron’s orchestrations drown the lyrics and one or two ideas, such as guitar-wielding statues, prove there is no lack of corn in Egypt. But this is an ebullient production...
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Staged as an exercise in storytelling that finds Smith surrounded from the start with a retinue of eager and adoring kids, this really is a production to appeal to our inner child, which is intended as a real compliment...
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For its 50th anniversary, producer Michael Harrison has brought Joseph – and Jason Donovan – back to the Palladium for this joyful, colour-saturated production by Laurence Connor. The changes aren’t colossal, but the scale is.
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Enjoyable as it is, it's all a bit relentless. However, if you're a die hard Sheridan Smith fan you can probably add at least one more star to the rating above.
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Trailer
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