On Blueberry Hill London Reviews and Tickets
Show-Score Member Reviews (1)
See it if you think you will enjoy a play that's essentially two monologues running in parallel to deliver the story
Don't see it if if you're going to be upset over issues related to loss of loved ones in assorted ways (won't say more not to give away the plot) Read more
Critic Reviews (9)
There are fleeting moments of poetry, yet for the most part, his prose ends up wandering down the same old musty alleyways.
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The writing is occasionally over-wrought – and as the play wends towards its conclusion it strains for a significance that it hasn't quite earned. Yet the acting is always pitch perfect.
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Some wondrous acting is sacrificed on the altar of an increasingly wonky plot in On Blueberry Hill, the first play in 10 years from Sebastian Barry,
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This poetic play is orchestrated like a piece of music by director Jim Culleton to reveal its haunting and constantly shifting perspectives.
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It’s a finely crafted piece, with some lines sweet enough to drink, others capable of breaking you apart.
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[On Blueberry Hill] unfolds like a slow-burn bedtime story. Full of warm wit and language you want to luxuriate in...but as a work of theatre it is static, with a story that becomes ever harder to believe as it goes on.
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Watching two characters never actually interact rarely feels terribly theatrical; ‘On Blueberry Hill’ could be a radio play, or a novella. The story moves, but it doesn’t always grab.
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Sebastian Barry’s tale of two cellmates succeeds despite plausibility issues...To work, On Blueberry Hill needs a leap of faith from the audience. I leapt.
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