“In Rachel Kavanaugh’s production...the focus rests on the fierce intensity and the emotional highs and lows of the couple’s newfound happiness.”
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“Rachel Kavanaugh’s handsome, old-school production...features comfortably assured performances from the two leads and the supporting cast.”
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“As a story of love and grief, it should have you in bits… It does not feel as eviscerating as it should.”
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“It’s high class MOR, a chaste romantic fantasy that plays great with the Bonneville stans but is lacking a layer of depth.”
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“All that genteel restraint means that when Bonneville’s placid, unassuming demeanour breaks into a howl of distress...the effect is one of emotional detonation.”
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"The actor gives a shrewdly understated performance, finding the turmoil inside a public figure struggling to reconcile his beliefs with a personal catastrophe"
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“Its theology and its psychology don’t stand up to too much scrutiny, but like the fruit cake its characters eat over endless teas, it is satisfying while it lasts.”
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“Neither this sanitised production nor his unstintingly mild-mannered performance can capture the darker realities of grief, sex and mortality.”
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