To Kill A Mockingbird (West End)
Closed 2h 35m
To Kill A Mockingbird (West End)
90%

To Kill A Mockingbird (West End) London Reviews and Tickets

90%
(399 Ratings)
Positive
96%
Mixed
4%
Negative
0%
Members say
Absorbing, Clever, Great acting, Entertaining, Thought-provoking

About the Show

Matthew Modine stars in Aaron Sorkin's stage adaptation of Harper Lee's classic novel.

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Show-Score Member Reviews (399)

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22 Reviews | 0 Followers
100%
Absorbing, Great Acting, Great Writing, Intelligent, Masterful

See it if You love a great book adaptation. Also if you want to see some amazing acting

Don't see it if You dislike how unjust past times used to be

10 Reviews | 0 Followers
100%
Absorbing, Epic, Great Acting, Great Writing, Profound

See it if Great drama that's both classic and timely at once.

Don't see it if You're in the mood for something light.

23 Reviews | 1 Follower
96%
Absorbing, Clever, Delightful, Masterpiece

See it if For script

Don't see it if See it

5 Reviews | 0 Followers
88%
Absorbing, Great Writing, Intelligent, Profound, Thought-Provoking

See it if You liked the novel and value strong performances.

Don't see it if You aren't prepared to use your head and heart. Also some fluffy that wasn't in the novel or film, but it is usually well placed.

16 Reviews | 0 Followers
99%
Absorbing, Ambitious, Clever

See it if You like great drama

Don't see it if You want light and frothy.

34 Reviews | 0 Followers
85%
Great Acting, Great Writing, Relevant, Thought-Provoking

See it if you like moving plays with deep and important messages that are relevant to our world today.

Don't see it if you’re looking for something upbeat/lighthearted, or you are triggered by themes of racism. It’s very heavy, but a very moving show.

58 Reviews | 5 Followers
88%
Absorbing, Clever, Delightful, Enchanting

See it if you want to experience a very good adaptation of a very important book. Some stories are hard to tell in theatre, but this one succeeded

Don't see it if you want to miss great acting, decorations, music and relieving jokes

6 Reviews | 0 Followers
90%
Absorbing, Clever, Immersive

See it if A great adaptation of the book, Matthew Modine was incredible as Atticus Finch!

Don't see it if A lot of adult themes and language that can be upsetting for people

Critic Reviews (8)

The London Evening Standard
April 1st, 2022

All rise for a magnificent Mockingbird. Sheer emotion and moral force make this Broadway adaptation of Harper Lee’s novel about race, community and family a powerfully uplifting theatrical event.
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Time Out London
March 31st, 2022

Breathing fresh life into one of the most famous characters of all time is no small achievement: this ambivalent Atticus is a huge achievement for both Sorkin and Spall.
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The Guardian (UK)
March 31st, 2022

But this production, however quietly, offers a thorough indictment of the American justice system...One imagines the late Lee would approve.
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The Telegraph (UK)
March 31st, 2022

This utterly riveting and revelatory staging of one of the best-known, but also most dustily familiar, of 20th-century American literary classics...Sorkin’s account argues the case for the core complexity of To Kill a Mockingbird as never before.
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The Times (UK)
April 1st, 2022

Hats off to Aaron Sorkin. While the official title may be Harper Lee’s To Kill a Mockingbird, this captivating drama is very much Sorkin’s take on a story that has become embedded in the consciousness of generations of readers.
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WhatsOnStage
March 31st, 2022

The result, in Bartlett Sher's smooth, beautifully modulated production which arrives in London with Rafe Spall as Atticus, is an engaging and intelligently acted affair...
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London Theatre
April 4th, 2022

...Harper Lee’s story of racial injustice in 1930s Alabama should resonate no less galvanically here, not least as refashioned by playwright Aaron Sorkin and director Bartlett Sher, and with a tremendous performance from Rafe Spall...
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The Stage (UK)
March 31st, 2022

Worth the drama? Worth the wait? The jury’s out...Sorkin’s approach is the kind you can swoon or sicken at. It assumes that we’re all a bit older than when we first encountered the book, a bit more able to hold on to complexity.
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