"Grace Pervades features a good sprinkling of wit, and is an affectionate homage to the chains of theatrical inheritance."
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"Under all the period trappings and self-referential lines it’s a celebration of the protean spirit of the stage and the committed, charismatic, animating figures – like Irving and Fiennes – who keep it alive and push it forward. "
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"It remains a treat to see Fiennes in the flesh, Jeremy Herrin’s production is picturesque, Hare’s script charms and it all looks at home"
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"Grace Pervades, Hare’s 32nd play, is in many ways unexpected, an insight into a semi-forgotten time."
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"Hare clearly loves theatrical history. But he doesn’t let his audience love it too, because he’s too obsessed with overlaying it with his own agenda of old (good) versus new (diabolical)."
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"Never exceptional, but nor too dull, Hare's play becomes a sweet panegyric, and a really traditional, really entertaining night both at the theatre and of the theatre.""
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"Hare’s writing is typically elegant and artful...It's easy to admire the craft here, but you engage at a distance."
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