"The Pulitzer Prize-nominated Sons of the Prophet is a character-driven comedy-drama that may not ignite quickly but ultimately finds its fuel." Full Review
"The play, which O'Riordan describes as a call to arms, certainly succeeds in bringing audiences instantly and unanimously to their feet." Full Review
"'The Snail House' is written and directed with unimpeachable skill, the action is so well paced, and the tone so carefully curated that it occasionally appears exciting in spite of a wearying lack of tension and some heavy-handed exposition." Full Review
for a previous production "The most damning indictment of the material is that it lacks sophistication throughout and critically there is little with which to form any kind of emotional connection." Full Review
"An objectively and hugely important piece of theatre and one that is long overdue... The play's narrative gives unparalleled agency to its autistic protagonist, and its message light-footedly unpicks stigmas and untruths about autism. Furthermore, all of it is the work of a largely neurodivergent cast and creative team, one that has been given the opportunity to share this story with complete authenticity." Full Review
"To begin with, very little takes place and the quickly exhausting dynamic between the only two characters onstage stumbles along without any indication of plot, suspense or stakes whatsoever." Full Review
" 'ABBA Voyage' is a feat of technological excellence so effective in its deceit that it will surely pave the way for likeminded productions." Full Review
And yet, despite some dramatic shortcomings, this stage version of Zorro delivers entirely what is expected of it: epic romance, stimulating swordplay and an almost unsettlingly heavy dose of onstage fire, all while musicians among the cast punctuate it with European musical flair – I doubt audiences will be leaving the Charing Cross Theatre dissatisfied after watching this masked musical. Full Review
for a previous production "This is, perhaps, the theatregoers' pantomime, a little more sophisticated, genuinely sincere and bursting with musical talent." Full Review
for a previous production "Far more satirical than serious, 'Handbagged' offers a light-hearted take on the pair's reported feud." Full Review
"With its effective use of music and fluid mixture of comedy and tragedy, make it a perfect fit for a venue famed for its anarchic perspectives on gender. ... Joan and their army may yet conquer more than just feudal France." Full Review
"Unfortunately, there is something lacking from what seemed to be a promising offering from the National Theatre. The laughs are inconsistent and the drama inconsequential, though it has a handful of hilarious moments, the action on stage is never genuinely affecting." Full Review
"Its stripped back staging and threadbare aesthetic are a carefully calculated choice to amplify the profundity and tenacity of Anya Reiss' feisty, contemporary translation... the phenomenal acting performances of this universally brilliant company are what endures." Full Review
"...it is difficult to envision many theatregoers not enjoying this show, though it may have a small handful of dramaturgical drawbacks, it delivers on so many fronts with powerhouse performances, dazzling magical effects and awe inspiring company numbers." Full Review
Faced with insurmountable material, Dean Johnson at least stages the production marvellously, with designer Andrew Exeter installing perhaps the most expensive set this venue has ever seen. The vocal fireworks, at least, will carry you to your destination even if the story does not. Full Review