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The show follows Karin McCracken as a woman navigating the fallout of heartbreak, tracing a series of relationships, bad dates, and attempted reinventions. Opposite her, Simon Leary performs all the men in her life, shifting roles to reflect the recurring patterns and emotional echoes that define her experience. The narrative moves between humor and vulnerability, punctuated by lo-fi covers of well-known breakup songs that underscore the emotional terrain.

Created by New Zealand company EBKM, the production integrates elements of science and technology to examine how heartbreak affects both body and mind. Through performance and music, the piece constructs a portrait of grief that situates romantic loss within broader questions of memory, resilience, and physiological response.

Katsura Sunshine's 'Rakugo' features a lone storyteller dressed in kimono on a minimal set. He uses a fan and a hand towel for props to tell a comic monologue followed by a traditional story.

Rakugo is the 400-year-old Japanese traditional art of comic storytelling. Katsura Sunshine, who is originally from Canada, is the only Western Rakugo Master of the 800 Rakugo Masters. Sunshine's show bridges the gap between the East and the West.

The show was nominated for an Off-Broadway Alliance Award for Best Unique Theatrical Experience. Sunshine was also the bilingual MC for the opening reception of the G20 Summit in Osaka.

New Owner tells the story of Bart, a young shelter dog adopted by Mabel, an elderly woman grieving the loss of her partner. Their bond is immediate and deep, but as time passes, Bart is left to navigate the world alone after Mabel’s death. From bustling streets to shadowy alleyways, Bart’s journey becomes one of survival, memory, and resilience.

Told entirely without words, the production uses puppetry and animation to convey emotion and perspective from a dog’s point of view. The visual storytelling captures both the whimsy and sorrow of Bart’s odyssey through an unpredictable urban landscape.

Created by Arielle Gray and Tim Watts, New Owner is a contemplative and visually striking work that explores companionship, loss, and the possibility of renewal through the eyes of a loyal pet.

Based on the novel by Gregory Maguire, Wicked looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy crash lands her house in Oz, there is another young woman, Elphaba, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly and popular blonde, Glinda, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

The score by Stephen Schwartz ('Godspell,' 'Pippin,' 'The Prince of Egypt') includes the songs 'Defying Gravity,' 'Popular,' and 'The Wizard and I.'

'Wicked' opened in 2003 and in 2019 became the fifth-longest-running show in Broadway history.

The worldwide sensation and winner of six Tony Awards, including Best Musical, Best Direction and Best Costumes by Julie Taymor, is based on the beloved 1994 animated Disney movie. Simba will someday inherit the throne of the Pridelands, but he isn't quite ready. When his devious Uncle Scar murders King Mufasa, Simba flees to escape his guilt. Time and new friends keep Simba company until his past comes back to remind him of his rightful place.

The music is by international superstar Elton John with lyrics by Tim Rice. The score includes 'Can You Feel The Love Tonight' and 'Circle of Life.' 

The musical is the third-longest-running show on Broadway - and the eighth longest-running show in the West End - and is notable for director Julie Taymor's concept which incorporates puppets to bring the animals to life.

Every night, a Drunk Shakespeare Society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails are available for purchase throughout the show.

The Drunk Shakespeare Society also performs Drunk Romeo & Juliet seasonally.

Director Robert Hastie (Operation Mincemeat) brings his bold, contemporary vision of Hamlet to BAM in collaboration with London’s National Theatre. In this reimagining of Shakespeare’s tragedy, Hiran Abeysekera (Life of Pi) stars as the Danish prince grappling with grief, betrayal, and the corrosive pursuit of truth. The production combines wit, psychological tension, and dark humor to illuminate the play’s enduring questions of power and morality.

This engagement launches a new partnership between BAM and the National Theatre, uniting two institutions renowned for theatrical innovation.

Since its BAM debut in 1861, Hamlet has been reinterpreted by directors including Ingmar Bergman, Peter Brook, and Thomas Ostermeier. Hastie’s staging continues that tradition, marking a new chapter in the venue’s history with Shakespeare’s most restaged and reimagined work.

This one-hour solo work by Ismael Loutfi explores his relationship with his deeply religious immigrant father, known as “Baba.” Blending stand-up comedy with personal storytelling and multimedia elements, the piece traces Loutfi’s experience of growing up Muslim in the United States. Through recollections that move between humor and introspection, he examines generational expectations, faith, and cultural contradiction. The performance shifts across tones and formats, using direct address and visual components to frame a personal narrative about family, belief, and identity.

I'm Almost There is a musical journey that recontextualizes the epic poem The Odyssey into the framework of modern dating. The narrative begins with the relative simplicity of experiencing love at first sight, contrasting it with the difficulty of allowing a relationship to progress past the initial stages. In this contemporary retelling, the classic monsters are substituted with obstacles like intrusive neighbors, and the path to connection involves self-deprecation, genuine longing, and distinctive humor.

This critically acclaimed piece is created and performed by Todd Almond (known for Girl from the North Country and Gossip Girl). The production comes to BAM following a run at the Edinburgh Fringe Festival. The director is Tony Award winner David Cromer (whose directorial credits include The Band’s Visit, Our Town, and Good Night, and and Good Luck).

Almond brings his personal journey to the stage through original songs that express his anxieties, hopes, and humorous mistakes. He is accompanied onstage by musicians Erin Hill (on harp and vocals) and Luke McCrosson (on bass), collectively telling a story about the complexities of fear and the pursuit of love.

Written by the playwright of Love + Science (David J. Glass), this play centers on a billionaire who bankrolls experimental aging research in pursuit of immortality. As the project advances, the concentration of wealth and authority destabilizes relationships and erodes ethical boundaries within the research team. A concealed truth emerges, reframing the scientific mission as a confrontation with questions of identity, consent, and bodily autonomy. The narrative tracks how ambition and power reshape the meaning of life extension, shifting the focus from innovation to its personal and moral consequences.

An Ark invites audiences on an extraordinary theatrical journey that blurs the line between reality and imagination. Guided by four enigmatic figures, the experience moves through moments of tenderness, wonder, and profound reflection—capturing the full spectrum of what it means to be human, from the spark of first love to the inevitability of loss.

As the first-ever play created for mixed reality, An Ark merges innovative storytelling with immersive technology to create a performance unlike any other. Featuring a stellar ensemble cast including Ian McKellen (The Lord of the Rings, X-Men), Golda Rosheuvel (Bridgerton), Arinzé Kene (Misty, Get Up, Stand Up!), and Rosie Sheehy (Machinal, Old Vic), this groundbreaking production offers a deeply emotional and visually stunning meditation on the human experience.

Set during the holiday season, Cold War Choir Practice follows a young girl whose life is upended when her estranged uncle, a prominent Black conservative, returns home with his mysteriously ill wife. What unfolds is a darkly comic story infused with espionage, cult dynamics, Reagan-era politics, roller disco, and the haunting choral presence of the Syracuse, NY Seedlings of Peace Children’s Chorus.

The play is written by Ro Reddick (Throwback Island), whose work has been praised for its inventive mix of music and satire. Direction is by Tony Award nominee Knud Adams (English), known for his precision in staging complex, layered narratives. Together, they shape a piece that blends political drama with stylized performance and live choral elements.

Originally developed through Clubbed Thumb’s Summer works, where it was named a New York Times Critic’s Pick, the play now comes to MCC Theater as a co-production with Clubbed Thumb and Page 73.