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Katsura Sunshine's 'Rakugo' features a lone storyteller dressed in kimono on a minimal set. He uses a fan and a hand towel for props to tell a comic monologue followed by a traditional story.

Rakugo is the 400-year-old Japanese traditional art of comic storytelling. Katsura Sunshine, who is originally from Canada, is the only Western Rakugo Master of the 800 Rakugo Masters. Sunshine's show bridges the gap between the East and the West.

The show was nominated for an Off-Broadway Alliance Award for Best Unique Theatrical Experience. Sunshine was also the bilingual MC for the opening reception of the G20 Summit in Osaka.

Building The Wall is a dystopian political thriller by Robert Schenkkan set in a near-future United States following a terrorist attack and the declaration of martial law. The play centers on a conversation between Rick, a former private prison warden awaiting sentencing, and Gloria, a historian interviewing him about atrocities committed inside immigrant detention facilities. Through their exchanges, the play examines government policy, accountability, and the consequences of anti-immigration rhetoric.

Playwright Robert Schenkkan is known for works including All the Way and The Kentucky Cycle, both recognized with major American theatre awards.

Presented at Urban Stages for a limited Off-Broadway engagement, the production partners with the New York Immigration Coalition and the Immigration Defense Fund to host post-show talkbacks and raise funds for immigrant legal resources.

Based on the novel by Gregory Maguire, Wicked looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy crash lands her house in Oz, there is another young woman, Elphaba, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly and popular blonde, Glinda, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

The score by Stephen Schwartz ('Godspell,' 'Pippin,' 'The Prince of Egypt') includes the songs 'Defying Gravity,' 'Popular,' and 'The Wizard and I.'

'Wicked' opened in 2003 and in 2019 became the fifth-longest-running show in Broadway history.

The worldwide sensation and winner of six Tony Awards, including Best Musical, Best Direction and Best Costumes by Julie Taymor, is based on the beloved 1994 animated Disney movie. Simba will someday inherit the throne of the Pridelands, but he isn't quite ready. When his devious Uncle Scar murders King Mufasa, Simba flees to escape his guilt. Time and new friends keep Simba company until his past comes back to remind him of his rightful place.

The music is by international superstar Elton John with lyrics by Tim Rice. The score includes 'Can You Feel The Love Tonight' and 'Circle of Life.' 

The musical is the third-longest-running show on Broadway - and the eighth longest-running show in the West End - and is notable for director Julie Taymor's concept which incorporates puppets to bring the animals to life.

I'm Almost There is a musical journey that recontextualizes the epic poem The Odyssey into the framework of modern dating. The narrative begins with the relative simplicity of experiencing love at first sight, contrasting it with the difficulty of allowing a relationship to progress past the initial stages. In this contemporary retelling, the classic monsters are substituted with obstacles like intrusive neighbors, and the path to connection involves self-deprecation, genuine longing, and distinctive humor.

This critically acclaimed piece is created and performed by Todd Almond (known for Girl from the North Country and Gossip Girl). The production comes to BAM following a run at the Edinburgh Fringe Festival. The director is Tony Award winner David Cromer (whose directorial credits include The Band’s Visit, Our Town, and Good Night, and and Good Luck).

Almond brings his personal journey to the stage through original songs that express his anxieties, hopes, and humorous mistakes. He is accompanied onstage by musicians Erin Hill (on harp and vocals) and Luke McCrosson (on bass), collectively telling a story about the complexities of fear and the pursuit of love.

A playwright mines the wreckage of a past relationship for material, but as memory and imagination intertwine, she begins to lose control of the story she’s telling—and of herself. Spanning a decade of Eli and Grace’s complicated connection, this tender will-they-won’t-they romance traces the pull that keeps them circling one another long after love fractures. Crafted by a team of multidisciplinary artists, this critically acclaimed, non-linear production blends intimacy, humor, and emotional rawness in a metatheatrical journey through heartbreak, obsession, and the slippery nature of truth.

Inspired by real events, this play follows Millie, a British teenage expat living in Hong Kong, whose life shifts during the 2019 protests. Initially detached, she becomes increasingly involved through her friendship with Jesse, a local classmate connected to the movement. As tensions escalate, Millie is confronted with the realities of political unrest and her own position within it. The story traces her changing perspective as personal relationships intersect with wider social conflict, examining questions of responsibility, awareness, and belonging in a rapidly changing environment.

This production is recommended for ages 14+. This show discusses violence and protests.

Set in 1914, this immersive play takes place during a private séance hosted by the eccentric Madame Montfort. The gathering is disrupted by the arrival of a mysterious guest, prompting those in attendance to confront their beliefs about love, the supernatural, and the unknown. Among the participants are a skeptical magician, a paranormal researcher, and a practitioner of blood rituals, each bringing conflicting perspectives to the unfolding events.

Presented in spit&vigor’s “embedded” immersive style, the production places audience members within the séance itself, seated among the performers as observers to the escalating tensions and revelations.

In this new musical adventure, the Fraggles return to the stage in Fraggle Rock: Back to the Rock LIVE, a lively production inspired by the Emmy Award-winning Apple TV+ series. Gobo, Mokey, Wembley, Boober, and Red journey through the whimsical world of Fraggle Rock in search of the legendary lost Celebration Stone—a quest full of laughter, discovery, and rockin’ sing-alongs. Along the way, they cross paths with tiny Doozers, towering Gorgs, and a colorful ensemble of characters who bring their underground home to life.

This word-class production features full-bodied walk-around Fraggles, intricately puppeteered Doozers, and large-scale creatures brought to life by Jim Henson’s Creature Shop. Conceived and produced by Heather Henson (of IBEX Puppetry) in partnership with The Jim Henson Company (creators of the Muppets and over 50-time Emmy Award winners), the show continues a long tradition of puppetry excellence, theatrical innovation, and heartfelt storytelling.

Fraggle Rock: Back to the Rock LIVE is the culminating event of the New Victory Theater’s 30th Anniversary Season and is designed for audiences ages 4 and up. Sensory-friendly performances, ASL interpretation, and accessibility support are offered throughout the run, including a specially adapted performance on June 7. Tickets go on sale to the public in February 2026.

Every night, a Drunk Shakespeare Society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails are available for purchase throughout the show.

The Drunk Shakespeare Society also performs Drunk Romeo & Juliet seasonally.

Set in the summer of 1969, the musical follows Pearl Kantrowitz, a Brooklyn housewife who travels to a Catskills bungalow colony for her family’s annual retreat. As the wider world undergoes rapid cultural and social change—from the space race to the rise of countercultural movements—Pearl encounters new ideas and experiences that challenge her sense of identity and routine. An unexpected connection and proximity to a nearby music festival draw her further into a shifting landscape of personal and societal transformation.

Adapted from the film by Pamela Gray, with direction by Sheryl Kaller, the production features music and lyrics by AnnMarie Milazzo with additional lyrics by Gray. The score combines 1960s musical influences with contemporary elements to reflect the period and Pearl’s evolving perspective.

The play initiates with the reunion of six young friends following their participation in a Birthright trip to Israel. The narrative then spans nearly twenty years, using the lives of these individuals to explore persistent themes of identity, memory, and the fundamental human need for belonging.

As the friends mature, the external world undergoes significant, unanticipated transformations. This forces the characters to directly confront complex, foundational questions regarding their lives and inherited narratives.

The production examines how individuals manage the burden of historical legacy, the process of self-definition, and the consequence of discovering that the stories and frameworks passed down to them no longer align with their current lived experiences.