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Katsura Sunshine's 'Rakugo' features a lone storyteller dressed in kimono on a minimal set. He uses a fan and a hand towel for props to tell a comic monologue followed by a traditional story.

Rakugo is the 400-year-old Japanese traditional art of comic storytelling. Katsura Sunshine, who is originally from Canada, is the only Western Rakugo Master of the 800 Rakugo Masters. Sunshine's show bridges the gap between the East and the West.

The show was nominated for an Off-Broadway Alliance Award for Best Unique Theatrical Experience. Sunshine was also the bilingual MC for the opening reception of the G20 Summit in Osaka.

The show follows Karin McCracken as a woman navigating the fallout of heartbreak, tracing a series of relationships, bad dates, and attempted reinventions. Opposite her, Simon Leary performs all the men in her life, shifting roles to reflect the recurring patterns and emotional echoes that define her experience. The narrative moves between humor and vulnerability, punctuated by lo-fi covers of well-known breakup songs that underscore the emotional terrain.

Created by New Zealand company EBKM, the production integrates elements of science and technology to examine how heartbreak affects both body and mind. Through performance and music, the piece constructs a portrait of grief that situates romantic loss within broader questions of memory, resilience, and physiological response.

New Owner tells the story of Bart, a young shelter dog adopted by Mabel, an elderly woman grieving the loss of her partner. Their bond is immediate and deep, but as time passes, Bart is left to navigate the world alone after Mabel’s death. From bustling streets to shadowy alleyways, Bart’s journey becomes one of survival, memory, and resilience.

Told entirely without words, the production uses puppetry and animation to convey emotion and perspective from a dog’s point of view. The visual storytelling captures both the whimsy and sorrow of Bart’s odyssey through an unpredictable urban landscape.

Created by Arielle Gray and Tim Watts, New Owner is a contemplative and visually striking work that explores companionship, loss, and the possibility of renewal through the eyes of a loyal pet.

Based on the novel by Gregory Maguire, Wicked looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy crash lands her house in Oz, there is another young woman, Elphaba, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly and popular blonde, Glinda, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

The score by Stephen Schwartz ('Godspell,' 'Pippin,' 'The Prince of Egypt') includes the songs 'Defying Gravity,' 'Popular,' and 'The Wizard and I.'

'Wicked' opened in 2003 and in 2019 became the fifth-longest-running show in Broadway history.

The worldwide sensation and winner of six Tony Awards, including Best Musical, Best Direction and Best Costumes by Julie Taymor, is based on the beloved 1994 animated Disney movie. Simba will someday inherit the throne of the Pridelands, but he isn't quite ready. When his devious Uncle Scar murders King Mufasa, Simba flees to escape his guilt. Time and new friends keep Simba company until his past comes back to remind him of his rightful place.

The music is by international superstar Elton John with lyrics by Tim Rice. The score includes 'Can You Feel The Love Tonight' and 'Circle of Life.' 

The musical is the third-longest-running show on Broadway - and the eighth longest-running show in the West End - and is notable for director Julie Taymor's concept which incorporates puppets to bring the animals to life.

This one-hour solo work by Ismael Loutfi explores his relationship with his deeply religious immigrant father, known as “Baba.” Blending stand-up comedy with personal storytelling and multimedia elements, the piece traces Loutfi’s experience of growing up Muslim in the United States. Through recollections that move between humor and introspection, he examines generational expectations, faith, and cultural contradiction. The performance shifts across tones and formats, using direct address and visual components to frame a personal narrative about family, belief, and identity.

Every night, a Drunk Shakespeare Society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails are available for purchase throughout the show.

The Drunk Shakespeare Society also performs Drunk Romeo & Juliet seasonally.

The poignant story of three sisters from Puerto Rico's upper class as they grapple with the devastating loss of their parents, social standing, wealth, and possessions. Isolated in their deteriorating home on Cristo Street in Old San Juan, the sisters confront themes of love, jealousy, and the relentless passage of time.

Woven into their conversations are reflections on the American invasion of Puerto Rico, contrasted with memories of Spanish colonial rule, revealing complex emotions of pain, victimization, and longing. Their journey highlights personal and national struggles during a period of profound cultural and political change.

Burnout Paradise brings five performers into a timed contest that unfolds on four treadmills, beginning with a straightforward wager and building into a sequence of increasingly demanding physical tasks. Combining elements of comedy, endurance-based performance, and conceptual art, the production examines the drive to push past personal limits under pressure. The piece uses its athletic structure to frame a study of challenge, momentum, and the impulse to keep moving, creating a stage environment defined by unpredictability and sustained physical effort.

Written by the playwright of Love + Science (David J. Glass), this play centers on a billionaire who bankrolls experimental aging research in pursuit of immortality. As the project advances, the concentration of wealth and authority destabilizes relationships and erodes ethical boundaries within the research team. A concealed truth emerges, reframing the scientific mission as a confrontation with questions of identity, consent, and bodily autonomy. The narrative tracks how ambition and power reshape the meaning of life extension, shifting the focus from innovation to its personal and moral consequences.

La Traviata tells the tale of the doomed romance between the courtesan Violetta and the dashing Alfredo Germont. Amidst the backdrop of a hypocritical upper-class society, Alfredo and Violetta’s love courts the ire of Alfredo's family.

Three exceptional sopranos—Lisette Oropesa, Rosa Feola, and Ermonela Jaho—share the role, bringing depth and brilliance to one of opera’s most iconic heroines. Tony Award-winning director Michael Mayer’s evocative production blends poetic visuals with Verdi’s unforgettable score, creating a dreamlike atmosphere that captures the opera’s passion and beauty.

Innocence, the final opera by Finnish composer Kaija Saariaho, is a powerful exploration of the lasting trauma caused by a school shooting. With a libretto by renowned author Sofi Oksanen, the opera unfolds through a hauntingly beautiful soundscape that blends traditional opera, expressionistic speak-singing, and Scandinavian folk music.

Set a decade after the tragedy, the story follows a young couple whose wedding unexpectedly reopens old wounds, revealing long-buried secrets. At its core is a grieving mother, portrayed by mezzo-soprano Joyce DiDonato, and her lost daughter, sung by Finnish ethno-pop artist Vilma Jää. Conducted by Susanna Mälkki in Simon Stone’s strikingly direct production, Innocence has been hailed as a modern masterpiece, offering a raw and unflinching reflection on the echoes of violence in our time.