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Through a blend of personal storytelling and music, this musical experience explores the barriers created by stereotypes and labels. A cast of young performers shares real-life experiences of resilience, identity, and self-expression, combining narrative moments with contemporary songs and original music. The production unfolds as both a theatrical piece and a concert-style performance, drawing on themes of belonging, connection, and overcoming obstacles.

The work is written and directed by Drew Lachey, known as a member of the multi-platinum, Grammy-nominated group 98 Degrees, and Lea Lachey, who also serves as choreographer. The score includes original material by Lea and Drew Lachey alongside songs by various artists, while visual design incorporates projections created by Brave Berlin.

Featuring a company of emerging performers, the production combines rock, pop, and R&B influences with autobiographical narratives. Through ensemble numbers, solo performances, and spoken storytelling, the musical examines how individuals navigate assumptions placed upon them and seek to define themselves on their own terms.

Katsura Sunshine's 'Rakugo' features a lone storyteller dressed in kimono on a minimal set. He uses a fan and a hand towel for props to tell a comic monologue followed by a traditional story.

Rakugo is the 400-year-old Japanese traditional art of comic storytelling. Katsura Sunshine, who is originally from Canada, is the only Western Rakugo Master of the 800 Rakugo Masters. Sunshine's show bridges the gap between the East and the West.

The show was nominated for an Off-Broadway Alliance Award for Best Unique Theatrical Experience. Sunshine was also the bilingual MC for the opening reception of the G20 Summit in Osaka.

The Infinite Wrench is a constantly evolving theatrical experiment in which the New York Neo-Futurists attempt to perform 30 short plays within the span of an hour. Each performance is different, drawing on original material crafted by the ensemble that can shift from comedic to serious, personal to political, absurd to poignant. With new works added weekly, the show remains in perpetual motion, resisting traditional theatrical form.

The production is devised and performed by the New York Neo-Futurists, founded in 2004 as the New York branch of Chicago’s long-running Neo-Futurists. Known for their direct, fast-paced, non-illusory style, the ensemble has created thousands of original short plays and is an award-winning company.

Set in the 19th century, The Betrothed follows Kitty, whose carefully laid plans to secure a suitable marriage are thrown into disarray when her brother's engagement falls apart. Determined to restore social order and preserve everyone's prospects for a happy ending, Kitty navigates a web of romantic complications, betrayals, and shifting loyalties. Performed by an all-women cast, the play reexamines and queers the conventions of the traditional marriage plot.

The play is written by Scarlett Grace McCarthy and directed by Sarah Connolly, who previously developed and staged an earlier production of The Betrothed at The Tank in 2024. The Off-Broadway production is presented as part of WP Theater's Space Program Residency and is produced by Literally Broke, Natalie Rine, and Dani Turner.

 The production features scenic design by Ant Ma and Joanne Chuang, costume design by E Morton, lighting design by Lauren Nychelle, sound design by Sid Diamond, and fight choreography by Jessica Scout Malone.

Based on the novel by Gregory Maguire, Wicked looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy crash lands her house in Oz, there is another young woman, Elphaba, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly and popular blonde, Glinda, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

The score by Stephen Schwartz ('Godspell,' 'Pippin,' 'The Prince of Egypt') includes the songs 'Defying Gravity,' 'Popular,' and 'The Wizard and I.'

'Wicked' opened in 2003 and in 2019 became the fifth-longest-running show in Broadway history.

The worldwide sensation and winner of six Tony Awards, including Best Musical, Best Direction and Best Costumes by Julie Taymor, is based on the beloved 1994 animated Disney movie. Simba will someday inherit the throne of the Pridelands, but he isn't quite ready. When his devious Uncle Scar murders King Mufasa, Simba flees to escape his guilt. Time and new friends keep Simba company until his past comes back to remind him of his rightful place.

The music is by international superstar Elton John with lyrics by Tim Rice. The score includes 'Can You Feel The Love Tonight' and 'Circle of Life.' 

The musical is the third-longest-running show on Broadway - and the eighth longest-running show in the West End - and is notable for director Julie Taymor's concept which incorporates puppets to bring the animals to life.

When a lost young man takes shelter inside their church, two altar boys cling tightly to one another as the foundations of their lives begin to shift. Their friendship is tested by changing faith, emerging identity, and the physical and emotional transformations of adolescence. As their beliefs and bodies evolve, the bond that once felt unbreakable starts to strain under new pressures.

The play is written by Bubba Weiler and directed by Jack Serio, following their recent collaboration on Well, I’ll Let You Go.

Set in 1914, this immersive play takes place during a private séance hosted by the eccentric Madame Montfort. The gathering is disrupted by the arrival of a mysterious guest, prompting those in attendance to confront their beliefs about love, the supernatural, and the unknown. Among the participants are a skeptical magician, a paranormal researcher, and a practitioner of blood rituals, each bringing conflicting perspectives to the unfolding events.

Presented in spit&vigor’s “embedded” immersive style, the production places audience members within the séance itself, seated among the performers as observers to the escalating tensions and revelations.

Petite Rouge offers a bold reimagining of Charles Perrault’s classic Little Red Riding Hood, transforming the familiar fairy tale into a lavish Baroque burlesque fantasy. Journey into an enchanting forest where temptation, desire, and transformation take center stage as Red abandons innocence and embraces a world driven by passion, appetite, and self-discovery.

Blending opulent costumes, breathtaking aerial performances, and sensual choreography, this visually stunning world premiere creates an immersive theatrical spectacle that celebrates beauty, indulgence, and liberation. Rich in atmosphere and artistic flair, Petite Rouge invites audiences to experience a seductive retelling where danger and pleasure intertwine, revealing an unforgettable vision of one of literature’s most iconic tales.

Every night, a Drunk Shakespeare Society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails are available for purchase throughout the show.

The Drunk Shakespeare Society also performs Drunk Romeo & Juliet seasonally.

Garry Starr returns with a solo comedy that takes on an ambitious challenge: performing every Penguin Classic novel ever written. Racing through some of literature’s most famous works, he leaps between stories, characters, and genres in a fast-paced theatrical celebration and parody of the literary canon.

From The Little Prince to Moby-Dick and beyond, the production reimagines iconic novels through physical comedy, improvisation, and absurd humour. Created and performed by Garry Starr, the show playfully examines the enduring legacy of classic literature while gleefully dismantling it in the process.

This sung-through concept musical by Samantha Rose Roberts examines contemporary relationships shaped by dating culture, friendship, and emotional fallout. Through a series of interconnected characters, the story follows individuals navigating cycles of attachment, detachment, and repeated attempts at connection. As relationships form and fracture, patterns of avoidance, replacement, and uncertainty emerge, reflecting a culture where intimacy is often treated as temporary or transactional.

The score blends pop, rock, and contemporary musical theatre styles, with songs that capture moments of vulnerability, frustration, and shifting identity. Across its structure, the musical traces how characters search for stability and meaning while confronting the consequences of their choices and the environments that shape them.