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Through a blend of personal storytelling and music, this musical experience explores the barriers created by stereotypes and labels. A cast of young performers shares real-life experiences of resilience, identity, and self-expression, combining narrative moments with contemporary songs and original music. The production unfolds as both a theatrical piece and a concert-style performance, drawing on themes of belonging, connection, and overcoming obstacles.

The work is written and directed by Drew Lachey, known as a member of the multi-platinum, Grammy-nominated group 98 Degrees, and Lea Lachey, who also serves as choreographer. The score includes original material by Lea and Drew Lachey alongside songs by various artists, while visual design incorporates projections created by Brave Berlin.

Featuring a company of emerging performers, the production combines rock, pop, and R&B influences with autobiographical narratives. Through ensemble numbers, solo performances, and spoken storytelling, the musical examines how individuals navigate assumptions placed upon them and seek to define themselves on their own terms.

The Infinite Wrench is a constantly evolving theatrical experiment in which the New York Neo-Futurists attempt to perform 30 short plays within the span of an hour. Each performance is different, drawing on original material crafted by the ensemble that can shift from comedic to serious, personal to political, absurd to poignant. With new works added weekly, the show remains in perpetual motion, resisting traditional theatrical form.

The production is devised and performed by the New York Neo-Futurists, founded in 2004 as the New York branch of Chicago’s long-running Neo-Futurists. Known for their direct, fast-paced, non-illusory style, the ensemble has created thousands of original short plays and is an award-winning company.

Based on the novel by Gregory Maguire, Wicked looks at what happened in the Land of Oz…but from a different angle. Long before Dorothy crash lands her house in Oz, there is another young woman, Elphaba, born with emerald-green skin—smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly and popular blonde, Glinda, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

The score by Stephen Schwartz ('Godspell,' 'Pippin,' 'The Prince of Egypt') includes the songs 'Defying Gravity,' 'Popular,' and 'The Wizard and I.'

'Wicked' opened in 2003 and in 2019 became the fifth-longest-running show in Broadway history.

The worldwide sensation and winner of six Tony Awards, including Best Musical, Best Direction and Best Costumes by Julie Taymor, is based on the beloved 1994 animated Disney movie. Simba will someday inherit the throne of the Pridelands, but he isn't quite ready. When his devious Uncle Scar murders King Mufasa, Simba flees to escape his guilt. Time and new friends keep Simba company until his past comes back to remind him of his rightful place.

The music is by international superstar Elton John with lyrics by Tim Rice. The score includes 'Can You Feel The Love Tonight' and 'Circle of Life.' 

The musical is the third-longest-running show on Broadway - and the eighth longest-running show in the West End - and is notable for director Julie Taymor's concept which incorporates puppets to bring the animals to life.

Set in 1914, this immersive play takes place during a private séance hosted by the eccentric Madame Montfort. The gathering is disrupted by the arrival of a mysterious guest, prompting those in attendance to confront their beliefs about love, the supernatural, and the unknown. Among the participants are a skeptical magician, a paranormal researcher, and a practitioner of blood rituals, each bringing conflicting perspectives to the unfolding events.

Presented in spit&vigor’s “embedded” immersive style, the production places audience members within the séance itself, seated among the performers as observers to the escalating tensions and revelations.

After All These Years is a musical memoir built around the life and songs of Al Tapper. Structured as part concert, part comedy, and part personal reflection, it traces memories of first loves, show business ambitions, political satire, romantic misadventures, and everyday experiences. Tapper appears on screen while a live cast performs his songs, creating a theatrical portrait that moves between storytelling and musical performance.

The musical features a book, music, and lyrics by Al Tapper, whose songwriting career spans theatre and popular music. The production is directed by Brian Childers (Love Quirks).

The score references a wide range of cultural touchstones, from Stephen Sondheim and Doris Day to contemporary political figures and tabloid personalities, reflecting the breadth of Tapper's memories and influences through songs, anecdotes, and comedic storytelling.

Petite Rouge offers a bold reimagining of Charles Perrault’s classic Little Red Riding Hood, transforming the familiar fairy tale into a lavish Baroque burlesque fantasy. Journey into an enchanting forest where temptation, desire, and transformation take center stage as Red abandons innocence and embraces a world driven by passion, appetite, and self-discovery.

Blending opulent costumes, breathtaking aerial performances, and sensual choreography, this visually stunning world premiere creates an immersive theatrical spectacle that celebrates beauty, indulgence, and liberation. Rich in atmosphere and artistic flair, Petite Rouge invites audiences to experience a seductive retelling where danger and pleasure intertwine, revealing an unforgettable vision of one of literature’s most iconic tales.

Nikolai Ivanov, once admired and full of promise, finds himself overwhelmed by depression as those around him attempt to explain his unhappiness. Over the course of a year, conflicting assumptions, strained relationships, and missed connections expose the comic and tragic consequences of people failing to understand one another. This adaptation of Anton Chekhov's Ivanov presents the playwright's first major work in a contemporary, fast-moving form.

The production is adapted and directed by Laura Strausfeld, whose version remains faithful to Chekhov's original while emphasizing its pace and wit.

Presented by Initiative Productions, The Real Ivanov runs at The Lynn F. Angelson Theater in New York from 17 August to 19 September 2026. The creative team includes set and lighting designer Jiyoun Chang, costume designer Ella Matza, sound designer Brandon Bulls, and casting director Jack Doulin.

Every night, a Drunk Shakespeare Society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails are available for purchase throughout the show.

The Drunk Shakespeare Society also performs Drunk Romeo & Juliet seasonally.

Garry Starr returns with a solo comedy that takes on an ambitious challenge: performing every Penguin Classic novel ever written. Racing through some of literature’s most famous works, he leaps between stories, characters, and genres in a fast-paced theatrical celebration and parody of the literary canon.

From The Little Prince to Moby-Dick and beyond, the production reimagines iconic novels through physical comedy, improvisation, and absurd humour. Created and performed by Garry Starr, the show playfully examines the enduring legacy of classic literature while gleefully dismantling it in the process.

Joanna, a woman in her mid-thirties who is eager to become a parent, invites her three siblings to her New York City apartment to ask them for a shocking favor. The gathering forces the siblings to confront their relationships with one another as adults, raising questions about whether the visit will bring them closer together or create further divisions.

Playwright Bryna Turner is an award-winning writer whose plays include Bull in a China Shop, At the Wedding, and Phases of the Moon. Turner received the Blanche and Irving Laurie Foundation’s Theatre Visions Award, Lincoln Center Theatre’s Emerging Artist Award, a MacDowell Fellowship, and a New Roots Residency. Director Jenna Worsham previously directed At the Wedding at Lincoln Center, a New York Times Critic’s Pick, as well as Agnes, also a New York Times Critic’s Pick, and Street Children.

The play centers on Julia, a successful television journalist who uncovers a Manhattan apartment owned by her husband, Jack—an address she never knew existed. While exploring the space, Julia encounters Katie, a young woman whose familiarity with Jack reveals an unexpected connection. As the two women face one another within the apartment, revelations surface, exposing parallel losses and private reckonings that reshape their understanding of the past.

Set within a single, charged location, the drama examines grief, survivor’s guilt, and the tensions between desire, duty, and emotional need. Framed as an unconventional relationship triangle, the piece focuses on how hidden lives intersect and how truth emerges when secrecy can no longer be contained.